Baby Seals Show Off Vocal Skills #ASA183

Baby Seals Show Off Vocal Skills #ASA183

The pups possess an innate control of their voice and an understanding of rhythm.

Media Contact:
Ashley Piccone
AIP Media
301-209-3090
media@aip.org

NASHVILLE, Tenn., Dec. 9, 2022 – Humans appear to be one of the only animals capable of speech, which requires a range of skills and mental abilities. Among them, vocal learning — the ability to learn to produce new sounds —is critical for developing language. Only a handful of animals possess this trait, including humans, bats, whales, seals, and elephants.

Andrea Ravignani studies the vocal learning of seal pups. Credit: Connie Edwards/Kleve Zoo

However, simply possessing the ability to create new sounds is not enough to unlock language. Studying whether animals possess additional language-related skills can help us understand what it takes to learn speech and reveal the history of its evolution.

Andrea Ravignani of the Max Planck Institute for Psycholinguistics will discuss his work linking vocal learning with vocal plasticity and rhythmic capacity in his session, “Vocal learning, chorusing seal pups, and the evolution of rhythm.” The presentation will take place on Dec. 9 at 9:50 a.m. Eastern U.S. in Grand Hall A, as part of the 183rd Meeting of the Acoustical Society of America running Dec. 5-9 at the Grand Hyatt Nashville Hotel.

Ravignani and colleagues studied seal pups’ vocal plasticity, or how well they can adjust their own voices to compensate for their environment. They found that seal pups can change the pitch and volume of their voices, much like humans. The ability to change volume is common, but changing pitch, or fundamental frequency, is rare in animals.

“Seals may have this capacity due to convergent evolution: vocal plasticity may be a trait which evolved independently in multiple lineages due to similar evolutionary pressures,” said Ravignani. “For the case of humans and seals, plasticity and vocal learning may be associated with either advanced breathing control or singing abilities in both species.”

The team also tested the ability of seal pups to identify rhythmic sounds using recordings of other seals. They altered some of those recordings by changing tempos and adding rhythms to see how the young seals would react. Seal pups paid significantly more attention to recordings with regular rhythms and fast tempos.

“We can conclude that very young and untrained seals can discriminate between other seals’ vocalization based on their rhythmic properties,” said Ravignani. “Another mammal, apart from us, shows rhythm processing and vocalization learning; perhaps these two skills coevolved in both humans and seals.”

———————– MORE MEETING INFORMATION ———————–
Main meeting website: https://acousticalsociety.org/asa-meetings/
Technical program: https://eppro02.ativ.me/web/planner.php?id=ASAFALL22&proof=true

ASA PRESS ROOM
In the coming weeks, ASA’s Press Room will be updated with newsworthy stories and the press conference schedule at https://acoustics.org/asa-press-room/.

LAY LANGUAGE PAPERS
ASA will also share dozens of lay language papers about topics covered at the conference. Lay language papers are 300 to 500 word summaries of presentations written by scientists for a general audience. They will be accompanied by photos, audio, and video. Learn more at https://acoustics.org/lay-language-papers/.

PRESS REGISTRATION
ASA will grant free registration to credentialed and professional freelance journalists. If you are a reporter and would like to attend the meeting or virtual press conferences, contact AIP Media Services at media@aip.org.  For urgent requests, AIP staff can also help with setting up interviews and obtaining images, sound clips, or background information.

ABOUT THE ACOUSTICAL SOCIETY OF AMERICA
The Acoustical Society of America (ASA) is the premier international scientific society in acoustics devoted to the science and technology of sound. Its 7,000 members worldwide represent a broad spectrum of the study of acoustics. ASA publications include The Journal of the Acoustical Society of America (the world’s leading journal on acoustics), JASA Express Letters, Proceedings of Meetings on Acoustics, Acoustics Today magazine, books, and standards on acoustics. The society also holds two major scientific meetings each year. See https://acousticalsociety.org/.

Improving Child Development by Monitoring Noisy Daycares #ASA183

Improving Child Development by Monitoring Noisy Daycares #ASA183

Noise levels can negatively impact children and staff but focusing on the sound environment can help.

Media Contact:
Ashley Piccone
AIP Media
301-209-3090
media@aip.org

NASHVILLE, Tenn., Dec. 8, 2022 – During some of their most formative years, many children go to daycare centers outside their homes. While there, they require a supportive, healthy environment that includes meaningful speech and conversation. This hinges on the soundscape of the childcare center.

Understanding the soundscape in a daycare center can improve childhood development. Credit: George G. Meade Public Affairs Office

In his presentation at the 183rd Meeting of the Acoustical Society of America, Kenton Hummel of the University of Nebraska – Lincoln (UNL) will describe how soundscape research in daycares can improve child and provider outcomes and experiences. The presentation, “Applying unsupervised machine learning clustering techniques to early childcare soundscapes,” will take place on Dec. 8 at 11:25 a.m. Eastern U.S. in the Summit A room, as part of the meeting running Dec. 5-9 at the Grand Hyatt Nashville Hotel.

“Few studies have rigorously examined the indoor sound quality of childcare centers,” said Hummel. “The scarcity of research may deprive providers and engineers from providing the highest quality of care possible. This study aims to better understand the sound environment of childcare centers to pave the way toward better childcare.”

The goal of the research is to understand the relationship between noise and people. High noise levels and long periods of loud fluctuating sound can negatively impact children and staff by increasing the effort it takes to communicate. In contrast, a low background noise level allows for meaningful speech, which is essential for language, brain, cognitive, and social/emotional development.

Hummel is a member of the UNL Soundscape Lab led by Dr. Erica Ryherd. Their team collaborated with experts in engineering, sensing, early childcare, and health to monitor three daycare centers for 48-hour periods. They also asked staff to evaluate the sound in their workplace. From there, they used machine learning to characterize the acoustic environment and determine what factors influence the child and provider experience.

“Recent work in offices, hospitals, and schools has utilized machine learning to understand their respective environments in a way that goes beyond typical acoustic analyses,” said Hummel. “This work utilizes similar machine learning techniques to build and expand on that work.”

———————– MORE MEETING INFORMATION ———————–
Main meeting website: https://acousticalsociety.org/asa-meetings/
Technical program: https://eppro02.ativ.me/web/planner.php?id=ASAFALL22&proof=true

ASA PRESS ROOM
In the coming weeks, ASA’s Press Room will be updated with newsworthy stories and the press conference schedule at https://acoustics.org/asa-press-room/.

LAY LANGUAGE PAPERS
ASA will also share dozens of lay language papers about topics covered at the conference. Lay language papers are 300 to 500 word summaries of presentations written by scientists for a general audience. They will be accompanied by photos, audio, and video. Learn more at https://acoustics.org/lay-language-papers/.

PRESS REGISTRATION
ASA will grant free registration to credentialed and professional freelance journalists. If you are a reporter and would like to attend the meeting or virtual press conferences, contact AIP Media Services at media@aip.org.  For urgent requests, AIP staff can also help with setting up interviews and obtaining images, sound clips, or background information.

ABOUT THE ACOUSTICAL SOCIETY OF AMERICA
The Acoustical Society of America (ASA) is the premier international scientific society in acoustics devoted to the science and technology of sound. Its 7,000 members worldwide represent a broad spectrum of the study of acoustics. ASA publications include The Journal of the Acoustical Society of America (the world’s leading journal on acoustics), JASA Express Letters, Proceedings of Meetings on Acoustics, Acoustics Today magazine, books, and standards on acoustics. The society also holds two major scientific meetings each year. See https://acousticalsociety.org/.

Fish & Shrimp & Seals, Oh My! Soundscapes of Hawaiian monk seal habitats are dominated by biophony

Kirby Parnell – keparnel@hawaii.edu
@kirB15
@kirbyparnell15

Marine Mammal Research Program, University of Hawaii Manoa, Kaneohe, HI, 96744, United States

Karlina Merkens
Aude Pacini – twitter: @audepacini
Lars Bejder – twitter: @lbejder, @MMRP_UH

Popular version of 5aUW-Underwater soundscapes at critical habitats of the endangered Hawaiian monk seal, presented at the 183rd ASA Meeting.

The ocean is a noisy place. From chatty marine mammals to territorial fish and hungry shrimp, marine animals use sound to communicate, navigate, defend territories, and find food, mates, and safe spaces to settle down. However, human activities are negatively impacting the abilities of marine animals to effectively use sound for critical life functions. For the endangered Hawaiian monk seal with a population size of approximately 1,570 seals, we’re finding that vocal communication (Audio File 1) may play an important role for reproduction, yet we lack a foundational knowledge of the seals’ acoustic environment, better known as a soundscape. In this study, we found that biological sounds produced by snapping shrimp, fish, and seals dominate and shape the underwater soundscapes at critical habitats of the Hawaiian monk seal, with little input from man-made sources (Figure 1).

Figure 1 | A) Spectrogram of a 24-hour period on 11 May 2021 at Lehua Rock. A spectrogram is a visual representation of a sound where the x-axis is time, the y-axis is frequency (or pitch), and the color represents the amplitude of the sound (how loud or soft the sound is). The black icons indicate the source of the sound: snapping shrimp, boat, scuba divers, humpback whale song, Hawaiian monk seal vocalizations, and the vertical migration of the deep scattering layer. B) Spectrogram showing overlapping Hawaiian monk seal vocalizations from 0-1 kHz and humpback whale song from 0.5-5 kHz (listen to this in Audio File.

Figure 1 | A) Spectrogram of a 24-hour period on 11 May 2021 at Lehua Rock. A spectrogram is a visual representation of a sound where the x-axis is time, the y-axis is frequency (or pitch), and the color represents the amplitude of the sound (how loud or soft the sound is). The black icons indicate the source of the sound: snapping shrimp, boat, scuba divers, humpback whale song, Hawaiian monk seal vocalizations, and the vertical migration of the deep scattering layer. B) Spectrogram showing overlapping Hawaiian monk seal vocalizations from 0-1 kHz and humpback whale song from 0.5-5 kHz (listen to this in Audio File 1).

We sought to describe the underwater soundscape, or the acoustic environment, at locations that Hawaiian monk seals utilize for foraging, breeding, communication, and other critical life functions. We wanted to know 1) how loud are ambient (background) sound levels, 2) are sound sources biological, geophysical, or manmade, 3) how do sound sources and levels change throughout the day, and 4) how does the soundscape compare between the more-densely human-populated main Hawaiian Islands and the remote Northwestern Hawaiian Islands. To do this, we deployed passive acoustic recorders, known as SoundTraps, at four critical habitats of the Hawaiian monk seal: Rabbit Island, Oahu; Lehua Rock, Niʻihau; French Frigate Shoals; and Pearl and Hermes Reef. The SoundTraps recorded sounds from 20 Hz up to 24 kHz – this includes low-frequency sounds like earthquakes to high-frequency sounds like dolphin echolocation.

Our results indicate that sound levels are generally loud at these nearshore reef environments thanks to the persistent crackling sounds of snapping shrimp, low-frequency vocalizations of monk seals, and a variety of fish sounds. With little input from manmade sound sources, except at the popular scuba diving site Lehua Rock, we suspect that the elevated sound levels are indicative of healthy reef environments. This is good news for Hawaiian monk seals – less manmade noise means less acoustic masking making it easier to hear and “speak” to each other under water. We also opportunistically recorded sounds from Hurricane Douglas (Category 4) and a 6.2 magnitude earthquake around the time Kilauea began erupting. Overall, this study provides the first description of underwater soundscapes at Hawaiian monk seal critical habitats. These measurements can serve as a baseline for future studies to understand the impact of human activity on underwater soundscapes.

Whispers from the Deep Sea: The Subtle Sounds of Hydrothermal Vents #ASA183

Whispers from the Deep Sea: The Subtle Sounds of Hydrothermal Vents #ASA183

Passive acoustic monitoring can characterize the sounds of hydrothermal vents, informing the environmental impacts of deep-sea mining and possibly locating similar sites throughout the solar system.

Media Contact:
Ashley Piccone
AIP Media
301-209-3090
media@aip.org

NASHVILLE, Tenn., Dec. 8, 2022 – Deep-sea hydrothermal vents host unique life that survives without sunlight, and they play a significant role in the cycle of heat, water, and chemicals within the ocean. But long-term monitoring of these vents is difficult because of their hot and caustic characteristics.

Ocean Networks Canada’s hydrophone and the Deep Acoustic Lander are used to monitor hydrothermal vents. Credit: Ocean Networks Canada

In his presentation, “The soundscape of two deep-sea hydrothermal vent sites,” Brendan Smith will describe how hydrophones can listen to the sounds of these vents, informing the environmental impacts of deep-sea mining and assisting with interplanetary exploration. The 183rd Meeting of the Acoustical Society of America will run Dec. 5-9 at the Grand Hyatt Nashville Hotel, and Smith’s session will take place on Dec. 8 at 9:30 a.m. Eastern U.S. in the North Coast A room.

Smith and his PhD supervisor Dr. David Barclay used hydrophones operated by Ocean Networks Canada in the Pacific Ocean and the European Multidisciplinary Seafloor and water column Observatory in the Atlantic Ocean to monitor two vents on the seafloor. Barclay also developed a custom autonomous device that helps determine the source of a sound, which Smith will deploy during a research cruise in 2023. Both are noninvasive ways to study the vents, and both are sustainable in the long term because they work from a safe distance.

Hydrothermal vents produce subtle sounds near the low end of the human hearing range. These noises fluctuate with the flow and temperature of the vent, and biological sources nearby can also contribute to the soundscape.

“Ultimately, our objective is to find the relationship between vent parameters such as flow rate or temperature and the sound they produce,” Smith said. “It is also important to understand all of the contributions to the soundscape at hydrothermal vents, not just the sounds produced by the vents themselves. Surface weather, marine life, and anthropogenic sources such as shipping all contribute to the soundscape.”

Proposed industrial use of hydrothermal vents through deep-sea mining would alter their soundscape and impact the surrounding organisms. Understanding the acoustics in the vicinity could help predict and prevent environmental impacts.

“Characterizing the sound produced by hydrothermal vents can also help us locate new, unexplored vent sites from a long distance,” said Smith. “This could be used to help find new vent sites on Earth, but also elsewhere in the solar system, such as Saturn’s moon Titan or Jupiter’s moon Europa.”

———————– MORE MEETING INFORMATION ———————–
Main meeting website: https://acousticalsociety.org/asa-meetings/
Technical program: https://eppro02.ativ.me/web/planner.php?id=ASAFALL22&proof=true

ASA PRESS ROOM
In the coming weeks, ASA’s Press Room will be updated with newsworthy stories and the press conference schedule at https://acoustics.org/asa-press-room/.

LAY LANGUAGE PAPERS
ASA will also share dozens of lay language papers about topics covered at the conference. Lay language papers are 300 to 500 word summaries of presentations written by scientists for a general audience. They will be accompanied by photos, audio, and video. Learn more at https://acoustics.org/lay-language-papers/.

PRESS REGISTRATION
ASA will grant free registration to credentialed and professional freelance journalists. If you are a reporter and would like to attend the meeting or virtual press conferences, contact AIP Media Services at media@aip.org.  For urgent requests, AIP staff can also help with setting up interviews and obtaining images, sound clips, or background information.

ABOUT THE ACOUSTICAL SOCIETY OF AMERICA
The Acoustical Society of America (ASA) is the premier international scientific society in acoustics devoted to the science and technology of sound. Its 7,000 members worldwide represent a broad spectrum of the study of acoustics. ASA publications include The Journal of the Acoustical Society of America (the world’s leading journal on acoustics), JASA Express Letters, Proceedings of Meetings on Acoustics, Acoustics Today magazine, books, and standards on acoustics. The society also holds two major scientific meetings each year. See https://acousticalsociety.org/.

How Behind-the-Scenes Sound Mixing Makes Movie Magic #ASA183

How Behind-the-Scenes Sound Mixing Makes Movie Magic #ASA183

Capturing consistent room tones and ambience enhances dialogue and draws the audience in.

Media Contact:
Ashley Piccone
AIP Media
301-209-3090
media@aip.org

NASHVILLE, Tenn., Dec. 7, 2022 – If you’ve ever watched a movie where the audio is out of sync, it quickly becomes obvious that smooth, consistent sound is critical for movie enjoyment, especially during dialogue. Even slight discrepancies in background noise can disrupt a moviegoer’s experience.

Jeffrey Reed demonstrates the behind-the-scenes audio engineering required to recreate the acoustics of a movie set. Credit: Jeffrey Reed

At the upcoming meeting of the Acoustical Society of America, Jeffrey Reed of Taproot Audio Design will demonstrate the behind-the-scenes audio engineering required to recreate the acoustics of movie sets and locations. During the session, “Modern movie sound: reality and simulated reality,” Reed will share short clips of film to compare the original recording to the studio mixed product. The presentation will take place on Dec. 7 at 2:00 p.m. Eastern U.S. in the Summit A room at the Grand Hyatt Nashville Hotel, as part of ASA’s 183rd meeting running Dec. 5-9.

“Nearly everything you hear in a film has been added later or enhanced for effect. Consistency in background noise has a major impact, especially on dialogue in a movie,” said Reed. “Sometimes every single line of dialogue in a scene can have a different noise profile – the sound in the background varies and makes the sound choppy and disjointed. It’s up to us to smooth that out.”

Modern movie sound mixing uses techniques like impulse responses to reproduce dialogue and other sounds. These methods are crucial to align what moviegoers see and hear and keep them engaged in the story.

An impulse response is a short recording that allows audio engineers to recreate the acoustics of a room. Sonic qualities are recorded when a sound reverberates off the unique layout of a space. The impulse recording is then applied to the audio mix to digitally recreate the sound of that space and make the resulting scene of a film as believable as possible.

“There are a lot of moving parts to a film mix, from dialog, effects, and the ever-important musical score,” said Reed. “Each and every one is crucial to a film, and the joy of mixing is finding out what needs to be where at the right time. When it’s all said done though, dialog is king in a film mix and everything must carefully revolve around it.”

———————– MORE MEETING INFORMATION ———————–
Main meeting website: https://acousticalsociety.org/asa-meetings/
Technical program: https://eppro02.ativ.me/web/planner.php?id=ASAFALL22&proof=true

ASA PRESS ROOM
In the coming weeks, ASA’s Press Room will be updated with newsworthy stories and the press conference schedule at https://acoustics.org/asa-press-room/.

LAY LANGUAGE PAPERS
ASA will also share dozens of lay language papers about topics covered at the conference. Lay language papers are 300 to 500 word summaries of presentations written by scientists for a general audience. They will be accompanied by photos, audio, and video. Learn more at https://acoustics.org/lay-language-papers/.

PRESS REGISTRATION
ASA will grant free registration to credentialed and professional freelance journalists. If you are a reporter and would like to attend the meeting or virtual press conferences, contact AIP Media Services at media@aip.org.  For urgent requests, AIP staff can also help with setting up interviews and obtaining images, sound clips, or background information.

ABOUT THE ACOUSTICAL SOCIETY OF AMERICA
The Acoustical Society of America (ASA) is the premier international scientific society in acoustics devoted to the science and technology of sound. Its 7,000 members worldwide represent a broad spectrum of the study of acoustics. ASA publications include The Journal of the Acoustical Society of America (the world’s leading journal on acoustics), JASA Express Letters, Proceedings of Meetings on Acoustics, Acoustics Today magazine, books, and standards on acoustics. The society also holds two major scientific meetings each year. See https://acousticalsociety.org/.