Prashanth Tamilselvam – ptamilselvam@hawk.illinoistech.edu
Bluesky: @prashanth-t.bsky.social
Instagram: @prashanth_tamilselvam
Illinois Institute of Technology
Chicago, Illinois 60616
United States

Francisco Ruiz
ruiz@illinoistech.edu
Illinois Institute of Technology,
Chicago, Illinois,60616
United States

Popular version of 4pMU15 – Experiments on the flow acoustics of Human whistling
Presented at the 189th ASA Meeting
Read the abstract at https://eppro02.ativ.me//web/index.php?page=Session&project=ASAASJ25&id=3976527

–The research described in this Acoustics Lay Language Paper may not have yet been peer reviewed–

When was the last time you tried to whistle and wondered how do we make music with our mouth? For many, whistling feels effortless: purse your lips, blow, and a clear tone appears. Yet nearly half of us find it surprisingly difficult and never manage to produce more than a faint breath. Our research explores the physics behind this familiar but surprisingly complex activity.

When you whistle, the tongue rises against the roof of the mouth, leaving a small gap. The lips form a second constriction, and the space between acts as a resonant chamber, much like the tube of a flute. Pitch is controlled by moving the tongue to change the space between it and the palate. But geometry alone is not enough: we have found that only a specific combination of airflow and lip shape creates a ‘sweet spot’ leading to a stable tone. Maybe this is why so many people struggle with it.

Figure 1

In our experiments, involving orifices shaped like the hole of a donut to represent the lips, we found periodic vortices coming out (fig 1). These vortices are released at a frequency that is exactly the pitch we hear, showing that whistling is not simply blowing air but a precise coupling between the flow and the sound (fig 2a). The shape of the lips has a significant influence on the sound. Too narrow or too wide an opening suppresses the sound, and the front-to-back contour of the lips must encourage clean airflow separation (see how the non-toroidal lip geometry in fig 2b manages to whistle only within a small range of air velocity). This subtle control of lip geometry is essential for sustaining a clear, steady whistle.

Figure 2
The sound does not simply travel outward into the air. It also travels back into the mouth, where it interacts with the air coming from the lungs. This inward-traveling sound creates a feedback loop that amplifies the oscillations of the flow (fig 2c). The shear layer produced at the back of the mouth has a strong influence on how the airflow interacts with the lips. Subtle changes in this upstream shear layer either support or disrupt the formation of the vortices, and hence the sound.Difficult? It clearly is for many of us, but did you know that walruses also whistle? And they shape their lips exactly the way humans do it.We hope that understanding how humans (and walruses) whistle will help those of us who struggle with it. Meanwhile, our research is already guiding the development of a new, super-compact wind instrument that can be played without the use of hands. We call it the Flutino.

Whistling may feel ordinary, but its physics is anything but simple.

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