David Pelegrin Garcia – david.pelegringarcia@kuleuven.be
KU Leuven, Dept. Electrical Engineering
Kasteelpark Arenberg 10 – box 2446
3001 Leuven, Belgium

Monika Rychtarikova – monika.rychtarikova@kuleuven.be
KU Leuven, Faculty of Architecture
Hoogstraat 51
9000 Gent, Belgium

Lukaš Zelem – lukas.zelem@stuba.sk
Vojtech Chmelík – vojtech.chmelik@stuba.sk
STU Bratislava, Dept. Civil Engineering
Radlinského 11
811 07 Bratislava, Slovakia

Leopold Kritly – leopold.kritly@gmail.com
Christ Glorieux – christ.glorieux@kuleuven.be
KU Leuven, Dept. Physics and Astronomy
Celestijnenlaan 200d – box 2416
3001 Leuven, Belgium

Popular version of 1aAAa2 Auditory recognition of surface texture with various scattering coefficients
Presented Sunday morning, June 25, 2017 173rd ASA Meeting, Boston
Click here to read the abstract

When we switch on the light in a room, we see objects. As a matter of fact, we see the reflection of light from these objects, revealing their shape and color. This all seems to happen instantaneously since, due the enormously high speed of light, the time that light needs to travel from the light source to the object then to our eye is extremely short. But how is it with sound? Can we “hear objects”, or correctly said, sound reflections from objects? In other words, can we “echolocate”?

We know that sound, in comparison to light, propagates much slower. Therefore, if we stand far enough from a large obstacle and clap our hands, shortly after hearing the initial clapping sound, we hear a clear sound reflection from objects – an echo (Figure 1). But is it possible to detect an object if we stand close to it? And can the shape or surface texture of an object be recognized from the “color” of the sound? And how does it work?

human echolocation

Figure 1. Sound arriving at the ears after emitting a ‘tongue click’ in the presence of an obstacle. Credit: Pelegrin-Garcia/KU Leuven

It is widely known that bats, dolphins and other animals use echolocation to orient themselves in their environment and detect obstacles, preys, relatives or antagonists. It is less known that, with some practice, most people are also able to echolocate. As a matter of fact, echolocation makes a great difference in the lives of blind people who use it in their daily lives [1, 2], and are commonly referred to as “echolocators.”

While echolocation is mainly used as an effective means of orientation and mobility, additional information can be extracted from listening to reflected sound. For example, features about objects’ texture, size and shape can be deduced, and a meaning can be assigned to what is heard, such as. a tree, car or a fence. Furthermore, echolocators form a “map” of their surroundings by inferring where objects stand in relation to their body, and how different objects related to each other.

In our research, we focus on some of the most elementary auditory tasks that are required during echolocation: When is a sound reflection audible? Can people differentiate among sound reflections returned by objects with different shapes, fabric or surface textures?

In previous work [3] we showed that by producing click-sounds with their tongue, most sighted people without prior echolocation experience were able to detect reflections from large walls at distances as far as 16 meters in ideal conditions, such as in open field where there are no obstacles other than the wall that reflects the sound, and where one cannot hear any other noises like background noise. Blind echolocators in a similar study [4], nevertheless, could detect reflections from much smaller objects at nearby distances below 2 meters.

In the present study, we investigated whether sighted people who had no experience with echolocation could distinguish between walls with different surface textures by just listening to a click reflected by the wall.

To answer this question, we performed listening tests with 16 sighted participants. We played back a pair of clicks with an added reflection; the first click with one kind of wall and the second with another. Participants responded as to whether they heard a difference between the two clicks or not. This was repeated at distances of 1.5 meters and 10 meters for all possible pairs of simulated walls with various geometries (see in Figure 2 some of these walls and the echoes they produced).

human echolocation

Figure 2. Sample of the wall geometries that we tested (from left to right, top row: staircase, parabolic (cave-like) wall, sinusoid wall and periodic squared wall; bottom row: narrow wall with an aperture, broad wall, narrow wall, convex circular wall), with the echoes they produced at distances of 1.5 and 10 m. Credit: Pelegrin-Garcia/KU Leuven

We found that most participants could distinguish the parabolic wall and the staircase from the rest of the walls at a distance of 10 meters. The parabolic (cave-like) wall returned much stronger reflections than all other walls due to acoustic focusing. The sound emitted in different directions was reflected back by the wall to the point of emission. On the other hand, the staircase returned a reflection with a “chirp” sound. This kind of sound was also the focus of study at the Kukulcan temple in Mexico [5].

The results of our work support the hypothesis of a recent investigation [6] that suggests that prehistoric societies could have used echolocation to select the placement of rock art in particular caves that returned clearly distinct echoes at long distances.


[1] World Access for the Blind, “Our Vision is Sound”, https://waftb.org. Retreived 9th June 2017

[2] Thaler, L. (2013). Echolocation may have real-life advantages for blind people: An analysis of survey data. Frontiers in Physiology, 4(98). http://doi.org/10.3389/fphys.2013.00098

[3] Pelegrín-García, D., Rychtáriková, M., & Glorieux, C. (2017). Single simulated reflection audibility thresholds for oral sounds in untrained sighted people. Acta Acustica United with Acustica, 103, 492–505. http://doi.org/10.3813/AAA.919078

[4] Rice, C. E., Feinstein, S. H., & Schusterman, R. J. (1965). Echo-Detection Ability of the Blind: Size and Distance Factors. Journal of Experimental Psychology, 70(3), 246–255.

[5] Trivedi, B. P. (2002). Was Maya Pyramid Designed to Chirp Like a Bird? National Geographic News (http://news.nationalgeographic.com/news/2002/12/1206_021206_TVMayanTemple.html). Retrieved 10th June 2017

[6] Mattioli, T., Farina, A., Armelloni, E., Hameau, P., & Díaz-Andreu, M. (2017). Echoing landscapes: Echolocation and the placement of rock art in the Central Mediterranean. Journal of Archaeological Science, 83, 12–25. http://doi.org/10.1016/j.jas.2017.04.008

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