Acoustical Society of America Announces 2025 Science Communication Award Winners

Melville, March 9, 2026 – The Acoustical Society of America proudly announces the winners of the 2025 Science Communication Awards, recognizing excellence in the presentation of acoustics related topics to a popular audience.

This year’s winners demonstrate the power of storytelling, technology, and creativity to make acoustics accessible, immersive, and unforgettable. Each winner receives a $2,500 cash prize and travel support to attend an ASA meeting, where the awards will be formally presented. The categories and winners of the 2025 ASA Science Communication Awards are as follows:

Short Multimedia Winner
A Cathedral of Sound is a first-of-its-kind interactive New York Times Magazine article that allows readers to experience Notre Dame’s reconstructed acoustics through 3D spatial audio. The collaborative team of Madeleine Schwartz, Malika Khurana, Mika Gröndahl, and Yuliya Parshina-Kottas created a feature that deepens our understanding of restorative aural architecture through a multi-sensory experience.

The short multimedia honorable mention goes to Dr. Brian FG Katz’s app Notre-Dame Whispers: An immersive audio-guide, which artistically blends binaural audio, acoustic simulation, and interactive storytelling to turn heritage research into an immersive sound experience.

Long Multimedia Winner
The Science of Sound two-part series presented by Dr. Laurie Heller from the podcast Where What if Becomes What’s Next, translates the science of hearing into engaging, accessible conversations for broad audiences. The two episodes span topics from auditory health and noise pollution to virtual reality and use of AI, connecting compelling communication of acoustic science to its impact on modern life.

The long multimedia honorable mention also goes to Dr. Brian F.G. Katz, this time for Vaulted Harmonies: Archaeoconcert at Notre-Dame for creatively fusing historical research, music, and reconstructed acoustics into an alluring one-hour cinematic virtual concert.

Long Print Winner
Pistols in St Paul’s: Science, Music, and Architecture in the Twentieth Century from Manchester University Press traces the pioneers who shaped architectural acoustics in 20th-century Britain. Dr. Fiona Smyth’s vivid storytelling and meticulous research reveals how bold experiments and interdisciplinary collaboration transformed buildings into instruments and defined modern concert hall design.

The long print honorable mention, Fantastic Acoustics, was a collaborative effort between artists and research students from Université de Sherbrooke, École de Technologie Supérieure, McGill and Université du Québec à Rimouski and lead by Olivier Robin. This bilingual comics project uses original illustration and storytelling to translate complex acoustics into imaginative, accessible narratives for all ages.

Short Print Winner
The Sonic Soul of Notre Dame in Brandeis Magazine chronicles the effort to preserve and understand the cathedral’s distinctive sound after the 2019 fire. David Levin’s narrative retelling of Dr. Brian F.G. Katz’s research story proves how acoustic science can safeguard history, music, and cultural memory to preserve a shared human experience.

The short print honorable mention, Calling in from the Cold: On vocal communication in the little auk by Dr. Anna Osiecka, transforms seabird acoustics into a visually striking graphic narrative, showcasing the power of collaborative storytelling across art and science.

The 2025 award cycle reviewed content created between 1 March 2023 and 1 October 2025. A total of 65 nominations were received for the ASA Science Communication Awards, showcasing the breadth and depth of acoustics communication endeavors. The ASA extends its congratulations to the winners and honorable mentions for their exceptional contributions to acoustics communication. These projects have successfully bridged the gap between complex scientific concepts and the public, fostering a greater understanding and appreciation for the fascinating world of acoustics. The next award cycle will review content created between 2025 and 2026, with the call for nominations in the spring of 2026.

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ABOUT THE ACOUSTICAL SOCIETY OF AMERICA
The Acoustical Society of America is the premier international scientific society in acoustics devoted to the science and technology of sound. Its 7,000 members worldwide represent a broad spectrum of the study of acoustics. ASA publications include The Journal of the Acoustical Society of America (the world’s leading journal on acoustics), JASA Express Letters, Proceedings of Meetings on Acoustics, Acoustics Today magazine, books, and standards on acoustics. The society also holds two major scientific meetings each year. See https://acousticalsociety.org/.

Science Communication Awards 2023-2025

Science Communication Awards 2023-2025

The 2025 awards include content created between 1 March 2023 and 1 October 2025. Each award recipient will receive a cash prize of $2500 and travel support to attend an ASA meeting where the awards will be presented.

Short Multimedia Category
Winner: A Cathedral of Sound
Authors: Madeleine Schwartz, Malika Khurana, Mika Gröndahl and Yuliya Parshina-Kottas
New York Times Magazine online, 3 March 2023

Honorable mention: Notre-Dame Whispers: An immersive audio-guide
Brian FG Katz
Sorbonne University, 2025

Long Multimedia Category
Winner: The Science of Sound, a two-part episode within the Where What if Becomes What’s NextPodcast
Presenter: Laurie Heller
BurstMarketing Executive Producer: Rob Simon
BurstMarketing Chief Content Officer: Marisol Murano
BurstMarketing Senior Audio Engineer: Jeremy Brieske
BurstMarketing Podcast Host: Randy Scott
Carnegie Mellon University Co-Producer: Varun Rambhala
Carnegie Mellon University Co-Producer: Jimmy Zackal
Carnegie Mellon University, 17 and 31 July, 2025

Honorable mention: Vaulted Harmonies: Archaeoconcert at Notre-Dame
Brian F.G. Katz
Sorbonne University, 2025

Long Print Category
Winner: Pistols in St Paul’s: Science, Music, and Architecture in the Twentieth Century
Author: Fiona Smyth
Manchester University Press, September 2024

Honorable mention: Fantastic Acoustics
Olivier Robin
Collaborative effort between artists and research students from Université de Sherbrooke, École de Technologie Supérieure, McGill and Université du Québec à Rimousk, 2025

Short Print Category
Winner: The Sonic Soul of Notre Dame
Author: David Levin
Brandeis Magazine, Summer 2025

Honorable mention: Calling in from the Cold: On vocal communication in the little auk
Ann Osiecka
Self-published zine, January 2025

From Acoustics Lay Language Paper to Publication

Acoustics Lay Language Papers are concise summaries of research presented at ASA Meetings that help bridge the gap between specialized knowledge and general understanding for science writers, educators, reporters, and inquisitive minds alike. What many potential ALLP authors may not fully grasp is the hidden potential within these summaries— the ability to serve as a springboard towards publication in Proceedings of Meetings on Acoustics (POMA). For example, the process of writing an ALLP encourages the author to think about the story they are trying to express with their research, and how to convey that story in a clear, concise fashion. That structure can then be expanded upon with more details and data to develop a POMA. Check out these POMAs to see how other authors leveraged their ALLPs:
By writing an ALLP, you make your research accessible to a wider audience while also taking the initial steps towards presenting research effectively for publication. Consider your ALLP as the first building block in your journey towards a publication in POMA, JASA-EL, or even JASA. It’s a strategic move that combines effective communication with broader accessibility, setting you on the path to sharing your acoustic discoveries with the world. If you will be presenting at an upcoming ASA Meeting, seize the opportunity to write an ALLP. Read more about the ALLP program and get tips and tricks in the Acoustics Today article, Reaching Reporters, Teachers, and Bosses – Lay Language Papers and be sure to submit your own ALLP in for the 186th Meeting of the Acoustical Society of America and Acoustics Week in Canada, sponsored by the Acoustical Society of America and the Canadian Acoustical Association. The ideal submission deadline is Wednesday, May 1, to allow time for posting ahead of the meeting.

Call for Editor: Acoustics Today

The Acoustical Society of America (ASA) is seeking a new Editor for Acoustics Today, the science and technology magazine of the ASA. Each issue of Acoustics Today is sent to ASA members in print form and is also freely available online at acousticstoday.org. The primary purpose of Acoustics Today is to provide timely scholarly articles, short essays highlighting important ASA programs, and other (including societal) material to ASA members that is interesting, understandable, and worth reading regardless of a member’s background.

Appointment as the Acoustics Today Editor will begin on January 1, 2025, for an initial three-year term. To find out more about responsibilities, qualifications, and how to apply, go to https://acousticalsociety.org/editor-acoustics-today/.

Acoustics Today Winter 2023

Acoustics Today Spring 2023

Acoustics Today Summer 2023

Acoustics Today Fall 2023

Leveraging Lay Language Papers for Publication

For over 25 years, the Acoustical Society of America (ASA) has been at the forefront of bringing the captivating world of acoustics to a broader audience through their Lay Language Papers (LLP) program. These concise, jargon-free summaries have been instrumental in making complex acoustic research more accessible to science writers, educators, reporters, and anyone curious about the realm of sound. What many authors may not know is that crafting an engaging LLP can be your secret step towards getting published in the Proceedings of Meetings on Acoustics (POMA). Let’s delve into how writing an LLP can open the door to POMA and explore real-world examples that have successfully made this connection.

Authors who master the art of creating compelling LLPs often find themselves well-prepared for the world of academic publishing. These “bite-sized” papers serve as an excellent steppingstone for researchers looking to transition their research from a lay audience to a more specialized readership. The process of writing an LLP encourages the author to think about the story they are trying to tell about their research, and how to convey that story in a clear, concise fashion. That structure can then be expanded upon with more details and data to develop a POMA.

Here are real-world examples that showcase the bridge between LLPs and POMA:

LLPs are not limited to text; they also serve as a convenient digital space for hosting multimedia content such as audio files, videos, or images. This multimedia content can be cross-referenced in your other published work, enhancing the depth and richness of your research presentations. For instance, author David M. F. Chapman used his LLP to provide audio examples for his article published in The Journal of the Acoustical Society of America (JASA): “The tones of the kalimba (African thumb piano).”

By writing an LLP, you do more than just make your research accessible to a wider audience; you also take the initial steps towards learning how to present your research effectively for eventual publication. Consider your ASA Lay Language Paper as the first building block in your journey towards a publication in POMA. It’s a strategic move that combines effective communication with broader accessibility, setting you on the path to sharing your acoustic discoveries with the world.

So, the next time you present at an ASA Meeting, seize the opportunity to write an LLP—it might just be your secret step towards seeing your research published in an ASA journal!

Read more about the LLP program in Acoustics Today and be sure to submit your own LLP in for the185th ASA meeting, Acoustics 2023 Sydney!