Room Design Considerations for Optimal Podcasting

Madeline Didier – mdidier@jaffeholden.com

Jaffe Holden, 114-A Washington Street, Norwalk, CT, 06854, United States

Twitter: @JaffeHolden
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Popular version of 1aAA2-Podcast recording room design considerations and best practices, presented at the 183rd ASA Meeting.

Podcast popularity has been on the rise, with over two million active podcasts as of 2021. There are countless options when choosing a podcast to listen to, and unacceptable audio quality will cause a listener to quickly move on to another option. Poor acoustics in the space where a podcast was recorded are noticeable even by an untrained ear, and listeners may hear differences in room acoustics without even seeing a space. Podcasters use a variety of setups to record episodes, ranging from closets to professional recording spaces. One trend is recording spaces that feel comfortable and look aesthetically pleasing, more like living rooms rather than radio stations.

Figure 1: Podcast studio with a living room aesthetic. Image courtesy of The Qube.

A high-quality podcast recording is one that does not capture sounds other than the podcaster’s voice. Unwanted sounds include noise from mechanical systems, vocal reflections, or ambient noise such as exterior traffic or people in a neighboring room. Listen to the examples below.

More ideal recording conditions:
Media courtesy of Home Cooking Podcast, Episode: Kohlrabi – Turnip for What

Less ideal recording conditions:
Media courtesy of The Birding Life Podcast, Episode 15: Roberts Bird Guide Second Edition

The first example is a higher quality recording where the voices can be clearly heard. In the second example, the podcast guest is not recording in an acoustically suitable room. The voice reflects off the wall surfaces and detracts from the overall quality and listener experience.

Every room design project comes with its own challenges and considerations related to budget, adjacent spaces, and expected quality. Each room may have different design needs, but best practice recommendations for designing a podcasting room remain the same.

Background noise: Mechanical noise should be controlled so that you cannot hear HVAC systems in a recording. Computers and audio interfaces should ideally be located remotely so that noises, such as computer fans, are not picked up on the recording.
Room shape: Square room proportions should be avoided as this can cause room modes, or buildup of sound energy in spots of the room, creating an uneven acoustic environment.
Room finishes: Carpet is ideal for flooring, and an acoustically absorptive material should be attached to the wall(s) in the same plane as the podcaster’s voice. Wall materials should be 1-2” thick. Ceiling materials should be acoustically absorptive, and window glass should be angled upward to reduce resonance within the room.
Sound isolation: Strategies for improving sound separation may include sound rated doors or standard doors with full perimeter gaskets, sound isolation ceilings, and full height wall constructions with insulation and multiple layers of gypsum wallboard.

In the example below, the podcast studio (circled) is strategically located at the back of a dedicated corridor for radio and podcasting. It is physically isolated from the main corridor, creating more acoustical separation. Absorptive ceiling tile (not shown) and 2” thick wall panels help limit vocal reflections, and background noise is controlled.

Podcast recording room within a radio and podcasting suite. Image courtesy of BWBR and RAMSA.Figure 2: Podcast recording room within a radio and podcasting suite. Image courtesy of BWBR and RAMSA.

While the challenges for any podcast room may differ, the acoustical goals remain the same. With thoughtful consideration of background noise, room shape, finishes, and sound isolation, any room can support high-quality podcast recording.

Build Your Own Office Podcast Studio

Build Your Own Office Podcast Studio

How to convert existing office spaces into professional-sounding recording studios

Media Contact:
Larry Frum
AIP Media
301-209-3090
media@aip.org

SEATTLE, November 30, 2021 — Converting newly emptied office spaces into podcast studios poses noise challenges not previously realized before hybrid offices began. Experts recommend considering location, nearby noise sources, and ways to absorb sound to make a studio effective.

During the 181st Meeting of the Acoustical Society of America, which will be held Nov. 29-Dec. 3 at the Hyatt Regency Seattle, Indi Savitala, from the CSDA Design Group, will discuss how to optimize existing spaces for use as podcast recording studios. The talk, “Converting an Empty Office to a Podcast Studio,” will take place Tuesday, Nov. 30, at 1:25 p.m. Eastern U.S.

Thanks to hybrid working models, offices are less busy and less noisy, meaning recording spaces can be used more often, and newly empty private offices can become podcast studios.

But existing spaces present multiple acoustic challenges — single-glazed windows, nearby noise sources, and limited available surface area, to name a few. Offices with audio-visual components with frequent audio playback or speakerphone usage also impede recording.

To help, Savitala and his team offer criteria and recommendations for optimizing recording spaces.

“Since offices are being partially occupied, people have become more sensitive to noise,” said Savitala. “HVAC and sound masking noise that was previously deemed acceptable are now considered ‘noisy,’ and clients are requesting lower background noise levels.”

According to their criteria, the primary focus should be on potential noise sources. Converting an interior office may be beneficial if it is distanced from open-plan areas and the surrounding offices are not often used. Exterior offices may have less adjacent noise pollution but may be exposed to traffic noise.

“The addition of minimal absorptive treatments will make a huge difference for recording,” said Savitala. “Selecting podcast-friendly microphones and popfilters can make a huge difference and do not have to be expensive or high-end products.”

The team recommends considering the visual component of recording studios.

“It is popular for podcast shows to have accompanying video for social media posts,” said Savitala. “Therefore, providing aesthetically pleasing room finish treatment options is important.”

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ABOUT THE ACOUSTICAL SOCIETY OF AMERICA
The Acoustical Society of America (ASA) is the premier international scientific society in acoustics devoted to the science and technology of sound. Its 7,000 members worldwide represent a broad spectrum of the study of acoustics. ASA publications include The Journal of the Acoustical Society of America (the world’s leading journal on acoustics), JASA Express Letters, Proceedings of Meetings on Acoustics, Acoustics Today magazine, books, and standards on acoustics. The society also holds two major scientific meetings each year. See https://acousticalsociety.org/.