Combining underwater photography and passive acoustics to monitor fish
Camille Pagniello – email@example.com
Gerald D’Spain – firstname.lastname@example.org
Jules Jaffe – email@example.com
Ed Parnell – firstname.lastname@example.org
Scripps Institution of Oceanography, University of California San Diego
La Jolla, CA 92093-0205, USA
Jack Butler – Jack.Butler@myfwc.com
2796 Overseas Hwy, Suite 119
Marathon, FL 33050
Ana Širović – email@example.com
Texas A&M University Galveston
P.O. Box 1675
Galveston, TX 77550
Popular version of paper 1pAB4 “Searching for the FishOASIS: Using passive acoustics and optical imaging to identify a chorusing species of fish”
Presented Monday afternoon, November 5, 2018
176th ASA Meeting, Victoria, Canada
Although over 120 marine protected areas (MPAs) have been established along the coast of southern California, it has been difficult to monitor their ability to quantify their effectiveness via the presence of target animals. Traditional monitoring methods, such as diver surveys, allow species to be identified, but are laborious and expensive, and heavily rely on good weather and a talented pool of scientific divers. Additionally, the diver’s presence is known to alter animal presence and behavior. As one alternative to aid and perhaps, in the long run, replace the divers, we explored the use of long-term, continuous, passive acoustic recorders to listen to the animals’ vocalizations.
Many marine animals produce sound. In shallow coastal waters, fish are often a dominant contributor. Aristotle was the first to note the “voice” of fish, yet only sporadic reports on fish sounds appeared over the next few millennia. Many of the over 30,000 species of fish that exist today are believed to produce sound; however, the acoustic behavior has been determined in less than 5% of these biologically and commercially important animals.
Towards the goal of both listening to the fish and identifying which species are vocalizing, we developed a Fish Optical and Acoustic Sensor Identification System (FishOASIS) (Figure 1). This portable, low-cost instrument couple’s a multi-element passive acoustic array with multiple cameras, thus allowing us to determine which fish are making which sound for a variety of species. In addition to detecting sporadic events such as fish spawning aggregations, this instrument also provides the ability to track individual fish within aggregations.
Figure 1. A diver deploying FishOASIS in the kelp forest off La Jolla, CA.
Choruses (i.e., the simultaneous vocalization of animals) are often associated with fish spawning aggregations and, in our work, FishOASIS was successful in recording a low-frequency fish chorus in the kelp forest off La Jolla, CA (Figure 2).
The chorus starts half an hour before sunset and lasts about 3-4 hours almost every day from May to September. While individuals within the aggregation are dispersed over a large area (approx. 0.07 km2), the chorus’ spatial extent is fairly fixed over time. Species that could be producing this chorus include kelp bass (Paralabrax clathratus) and halfmoons (Medialuna californiensis) (Figure 3).
FishOASIS has also been used to identify the sounds of barred sand bass (Paralabrax nebulifer), a popular species among recreational fishermen in the Southern California Bight (Figure 4).
Figure 4. Barred sand bass (Paralabrax nebulifer) call.
This article demonstrates that combining multiple cameras with multi-element passive acoustic arrays is a cost-effective method for monitoring sound-producing fish activities, diversity and biomass. This approach is minimally invasive and offers greater spatial and temporal coverage at significantly lower cost than traditional methods. As such, FishOASIS is a promising tool to collect the information required for the implementation of passive acoustics to monitor MPAs.